"Mirror No. 12," 2013
Video camera, custom software, computer, projector, wood oval with mount
"Mirror No.12" processes live imagery captured from a small camera. Taking upon itself the same image building restrictions as the Angles Mirror, Mirror No.12 uses the rotational transformation of line as the sole means of representation. Resulting in a painterly texture, the artist-authored software manipulates a finite set of straight lines that spin from one position to the next, in an attempt to replicate a visual scene’s angular contours and features.